Introduction:
The poem opens with a striking image of disintegration:
Turning and turning in the widening gyreThe falcon cannot hear the falconer;Things fall apart; the centre cannot hold;Mere anarchy is loosed upon the world...
The "gyre" is Yeats's symbol for historical cycles, spirals of time that expand and collapse in 2,000-year phases. The falcon, a symbol of human civilization or perhaps the soul, has lost contact with its master, suggesting a world spinning out of control. The collapse of order ("the centre cannot hold") anticipates a descent into chaos, a theme that resonates with both the political upheavals of Yeats’s day and modern global uncertainties.
Yeats paints a vision of the world saturated with blood and indifference:
The blood-dimmed tide is loosed, and everywhereThe ceremony of innocence is drowned;The best lack all conviction, while the worstAre full of passionate intensity.
These lines express Yeats’s fear that the moral compass of the world is inverted—those who should lead with wisdom are passive, while extremists shape the new order with unchecked zeal.
In the second half, Yeats turns prophet:
Surely some revelation is at hand;Surely the Second Coming is at hand...
But instead of Christ, what emerges from "Spiritus Mundi" (the collective soul of the world) is a "rough beast"—a monstrous, sphinx-like figure "slouching towards Bethlehem to be born." This chilling final image suggests not salvation, but the birth of a new, darker era. The "Second Coming" is no longer a Christian redemption but an apocalyptic transformation.
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